By Jackie Byars
All that Hollywood permits explores the illustration of gender in well known Hollywood melodramas of the Fifties. either a piece of feminist movie feedback and conception and an research of pop culture, this provocative booklet examines from a cultural stories point of view top-grossing movie melodramas, akin to A Streetcar Named hope, From right here to Eternity, East of Eden, Imitation of lifestyles and Picnic. Stereotypically seen as a complacent and idyllic time, the Fifties have been truly a time of dislocation and nice social swap. Jackie Byars argues that mass media texts of the interval, particularly motion pictures, offer proof of society's eating preoccupation with the family sphere - the extended family and its values - and he or she indicates how Hollywood melodramas interpreted and prolonged societal debates relating relatives constitution, sexual divisions of labour, and gender roles. Her readings of those motion pictures investigate quite a few severe methodologies and techniques to textual research, a few vital to feminist movie stories and a few formerly bypassed by way of students within the box.
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Additional resources for All That Hollywood Allows: Rereading Gender in 1950's Melodrama (Gender and American Culture)
Women experience both the public and the private realms differently than do men not simply because of the differences in their access to and positioning by discourse but also because of the differences in the material conditions of their existence. 19 These conditions are, of course, inflected by race, class, and sexual preference. ” An analysis of cultural products, such as narrative films, that holds together the discursive and the extradiscursive can aid in the location of spaces in which women can resist patriarchy.
28 As a result, the area of communications research has been, in its relatively short life, one of the more nurturing homes for the developing tradition of American cultural studies. Most histories of communications research have stressed the positivistic media-effects research that came to dominate mass-media studies in the 1950s and 1960s Cultural Studies 29 and have ignored the ongoing humanistic analysis of the ritualistic social role of the media. 29 But Carey traces his intellectual lineage to the University of Chicago pragmatists concerned with modernization, specifically to John Dewey, and argues that it is within their work that American cultural studies commenced.
Carey contended that the “ferment in the field” of communications research retains overtones of its “cheerful” pragmatist origins while also raising the indisputable fact that social formations are determined by power relations. 37 But the attention to power, dominance, sub ordination, and struggle within the work of first-generation American cultural studies scholars is so implicit that it is practically invisible. Following the British cultural studies tradition, second-generation scholars find an explicit attention to these issues to be crucial.
All That Hollywood Allows: Rereading Gender in 1950's Melodrama (Gender and American Culture) by Jackie Byars