By Kathrin H. Rosenfield, Charles B. Duff
Following Friedrich Hölderlin’s insights, the writer unearths an left out historic aspect – the epiclerate – that makes Antigone the heiress to the throne of Thebes. Creon’s activities gather new which means, as does Antigone’s resistance, and a virtually Hitchcockian drama emerges from subtleties within the Greek textual content. Hölderlin brings us absolutely rounded characters, and we consider the fun of actual tragedy. Rosenfield argues that Hölderlin could have come toward the spirit of Sophocles and the Athenian enlightenment than later, extra scholarly, translators and critics, an issue that redeems a misunderstood translation of an incredible Romantic writer and demonstrates comparative method of literature – figuring out a German poet’s method of a Greek tragedy –can raise creative excitement and deepen our knowing of the customarily unusual Greek mentality. Rosenfield's Antigone is now to be had to an English conversing viewers for the 1st time. It includes a particular preface for the English version and some stylistic alterations making the essay more uncomplicated to learn for a public no longer well-known with the guidelines of German Idealism.
The paintings of Sophocles has parallels with glossy outlooks, even supposing fifth-century Athens was once very diversified from our global. Rosenfield's element of departure is an in depth examining of Friederich Hölderlin's translation that makes those parallels believable. She exhibits that poetic intelligence should be as priceless a serious software as historic or philological wisdom. Following Hölderlin, she finds a historic aspect up to now omitted, the epiclerate, some extent of Greek legislations that provides Antigone political value and provides the play a fully-rounded tragic plot, ambiguous and paradoxical. Antigone isn't an blameless virgin sacrificed by way of a power-thirsty villain. She is a fierce and unsettling heroine in a virtually hitchcockian drama. construction on Hölderlin, Rosenfield brings out what's 'modern' in classical Greek drama: the judgment of right and wrong of everlasting unsettling shifts in human activities, intentions and emotions, the gripping, unstated secrets and techniques hidden within the ironies of the Greek textual content. Her scholarly argument indicates that Hölderlin could have come in the direction of the spirit of Sophocles, Themistocles and Pericles than later, extra scholarly, translators and critics.
Kathrin H. Rosenfield is a professor within the school of Literatura and Philosophy on the Federal collage of Rio Grande do Sul in Brazil. trained in Salzburg, Vienna, and Paris, she has lengthy mixed literary feedback with a tradition in psychotherapy and an energetic profession within the theatre. Her publication Desenveredando Rosa received Brazil’s superior literary award in 2007. diversified models of her e-book on Sophocles´ Antigone were released in Brazil (L&PM, Porto Alegre, 2000, Zahar, Rio de Janeiro, 2002, Topbooks, Rio de Janeiro, 2006) and France (Galilee, 2001).
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Additional resources for Antigone: Sophocles' Art, Hölderlin's Insight
His remark explains why and, almost incidentally, shows how he applies his critical standards to the translation of a specific passage. ) Whether or not Hölderlin’s approach is “good,” it is at least coherent. In fact, he quite consciously establishes a coherent perspective that works, he thinks, for all parts of the tragedy. Hölderlin was the first (though hardly the last) to say that his attempt to introduce modern interests made for a superficial “obliqueness” in his translation, but he was sure that he had found a way to reveal the relationships that tie the play together, and he was proud to have found criteria that would work for every part of the play, for dialogues and choruses alike.
For the reciprocal and reflexive meaning of kat’ hautoin see LorauxMazon, p. 129). 6. M. Heidegger, Vorträge und Aufsätze, Pfullingen, G. Neske, 1954 (“Fragen ist die Frömmigkeit des Denkens”) and Jacques Derrida, De l’esprit. 25. Cf. Dieter Henrich, “Gedanken zur Dankbarkeit,” Festschrift für Robert Spaemann, Acta Humaniora, Weinheim, 1987. 8. Sophocles, Antigone, translated and edited by Wolfgang Schadewaldt, Frankfort-am-Main, Insel Verlag, 1974. 9. Loraux-Mazon, p. 2, note 1. 10. P. ” 11.
For an interesting discussion of the breaks within the stophes and the intensification of images of violence, see M. 262 sq. Der Kleine Pauly. Lexikon der Antike in fünf Bänden, Munich, DTV, 1979. 5. For the reciprocal and reflexive meaning of kat’ hautoin see LorauxMazon, p. 129). 6. M. Heidegger, Vorträge und Aufsätze, Pfullingen, G. Neske, 1954 (“Fragen ist die Frömmigkeit des Denkens”) and Jacques Derrida, De l’esprit. 25. Cf. Dieter Henrich, “Gedanken zur Dankbarkeit,” Festschrift für Robert Spaemann, Acta Humaniora, Weinheim, 1987.
Antigone: Sophocles' Art, Hölderlin's Insight by Kathrin H. Rosenfield, Charles B. Duff